Superb French Baroque cameo in golden mounting. A true collectors item!

A truly magnificent piece we have here. A cameo that is cut in such a meticulous and skillful way that we just couldn't stop looking at it; every time we discovered something new to gaze at. If you want to know if a cameo is of good quality you don't look at the flyaway veiles and voiles or curly hairstyles. You don't because those give the artist the liberty to make it as he wants. No, one has to look at the faces and hands and when those are realistic then the artist is good. With this cameo, although the faces are really small (and therefore harder to make realistic) they are not just good, they are terrific and showing the hand of a true master engraver.

The artist took his inspiration from a ceiling fresco by Guido Reni, done in 1613-1614. This fresco, a monumental work that meisures 280 cm (110 inch) x 700 cm (275 inch), can be found in a palace in Rome “The Palazzo Pallavicini-Rospigliosi” built by the Borghese family on the Quirinal Hill. It depicts Aurora, the Roman goddess of dawn as she leads the sun god Apollo on his chariot and surrounded by the Horae, in bringing daylight into the world. We added a picture of the original fresco. Guido Reni (1575-1642) was an Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. An artist deeply influenced by Greco-Roman art and by Raphael.

Although we believe the mounting of this cameo to be French the chance that the cameo is also French we think is rather small; we believe it to be Italian. It was not uncommon in those days that specialized workshops just made cameo's that they would export; a process that actually still exists in our days. Since the cameo is made after a fresco it wouldn't make much sense trying to find period specific characteristics on it. Therefore we have to study the mounting thoroughly. Easiest would be if it there were hallmarks giving away the date. Unfortunately they are unfindable. The only mark we found is most probably a master mark, and to find out who owned that mark is like finding a needle in a haystack. We added a picture of this master mark.

When looking at the characteristics of the mounting it has clear signs of the Baroque period. Only problem we have here is that the Baroque period lasted roughly 150 years, from 1600 till 1750 and that we found a French hallmark depicting a ram's head. This mark was in use since 1817.

The piece was most probably part of a tiara or belt. There are braces at the back of the piece through which a ribbon can be lead. There is also a little hole with screw wire at the bottom of the piece, we think that this is the part where the mounting could have been attached to the skeleton of a tiara.

Antique jewelry object group: miscellaneous
Country of origin: France
Style: Baroque - (styles overview)
Period: ca. 1820 (events and facts in 1820)
Source of inspiration: a ceiling fresco made by Guido Reni, done in 1613-1614
Theme: Aurora, the Roman goddess of dawn as she leads the sun god Apollo on his chariot and surrounded by the Horae, in bringing daylight into the world.
Material: 18K warm yellow gold - (precious metals)
Technique: Cameo is a method of carving, or an item of jewellery or vessel made in this manner. It features a raised (positive) relief image. There are three main materials for Cameo carving; Shells or Agate (called a Hardstone cameo), and glass. Cameos can be produced by setting a carved relief, such as a portrait, onto a background of a contrasting colour. This is called an assembled cameo. Alternately, a cameo can be carved directly out of a material with integral layers or banding, such as (banded) agate or layered glass, where different layers have different colours. Sometimes dyes are used to enhance these colours. Cameos are often worn as jewellery. Stone cameos of great artistry were made in Greece dating back as far as the 6th century BC. They were very popular in Ancient Rome, and one of the most famous stone cameos from this period is the Gemma Claudia made for the Emperor Claudius. The technique has since enjoyed periodic revivals, notably in the early Renaissance, and again in the 17th, 18th and 19th centuries.
Hallmarks: an unidentified master mark and The French control mark representing an ram's head that was in use in France from about 1817. - (general hallmarks info)
Condition: extremely good condition - (our condition scale)
Dimensions: width approximately 12.34 cm (4.86 inch) x 6.72 cm (2.65 inch)
Weight: 66.10 gram (42.50 dwt)
Reference Nº: 09177-4345

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